01.01 - 30.04.2009
A theoretical and practical re-appropriation of the effects of pathos in the theatre.
The project returns to the concept of pathos, unpopular in the world of the performing arts. Having had negative connotations since at least the end of the 19th century, today it is used primarily to qualify a certain type of acting. The term is however capable of covering the entire spectrum of emotional effects that a spectator can experience.